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(Another version claimed the dirty words could only be heard on the single and not on the album, even though both were pressed from the same master.) A more effective means of aggravating the older generation could scarcely have been devised: they could neither reassert control by proving the lyrics dirty and punishing those responsible for them, nor could they demonstrate they had never relinquished control by proving the lyrics clean.
Kids can learn a lot here, but there has to be a certain amount of control from both the parent and the child.
The parent needs to uphold a specific level of surveillance over their kids, while the children need to be taught a few guidelines on how to go about the chat rooms.
Lou Christie’s “Rhapsody in the Rain” and the Byrds’ “Eight Miles High” both struggled against radio airplay limitations in 1966 for allegedly dealing too explicitly with sex and drugs (respectively), and in 1967 the host of America’s premier television showcase for entertainers, Ed Sullivan, was still trying (unsuccessfully) to coerce groups like the Doors and the Rolling Stones into altering their “suggestive” lyrics about drugs and sex (respectively) when they appeared on his program.
As rock critic Dave Marsh noted: In a culture that interprets puberty as a tragedy of lost innocence rather than as a triumphal entry into adulthood, the possibility of someone actually giving vent to sexual feeling remains deliciously scandalous.